Ever since Thai-Chinese violin sensation Vanessa-Mae was featured on a 1995 album cover as if she had just won a wet-nightgown competition, record companies have been prowling3 for accomplished female musicians capable of playing fiddle at a high, steamy pitch. In bond, U. K. -base Decca Records has found its own variation of Sex in the Symphony.

　　Released in 2000, the group’s first album, Born, topped clssical music charts around the world, selling more than 1 million copies to date . The genre’s popularity is due in part to the fact, with classical music,“ there are no language barriers. ”Vanessa-Mae and her acolytes reduce the fuddy-duddy4 factor. Kids can relate . In the hand of a group like bond, a classical piece sounds like a palatable pop song that won’t frighten away the folks while pulling in the kids. It makes the music accessible.

　　And then there are the cool clothes. Bond members deny their slinky nightclub attire and libidinous onstage posturing has much to do with their fame. “Our success is not based on our outfits, ”says Ecker, the quartet’s lead violinist.“It goes beyond our image. We play great music. ”Indeed, we should give the prodigies their props. Bond’s music is not warmed-over Bach. The playlist for their Asian tour contains but one classical cover: Tchaikovshy’s 1812 Overture .

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　　練習題：

　　Ⅰ. Make senten ces with the fo llowing wo rds a nd p hra ses :

　　take liberty with — prowl —slink — sneak —

　?、? True o r Fa lse :

　　1. The genre becomes popular partly because that there are no language barriers and Vanessa-Mae reduces the fuddy-duddy factor.

　　2. Bond members agree that their fame has much to do with slinky nightclub attire and onstage posturing.

　　3. The play list for their Asian tour contains classical music.

　　4. Vanes-Mae is a Thai-Chinese musician capable of playing fiddle at a high and steamy pitch.

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　　參考答案

　?、? 參見導釋

　?、? 1. T 2. F 3 . T 4 . T

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　　參考譯文：

　　交響樂的性感演繹

　　不 管你對辣妹四重奏自由演繹古典音樂有何看法, 你沒法指摘她們性感妖嬈的表演有失音樂水準。只是有些另類。辣妹的音樂會是一場旋律優美的性感舞蹈: 四個窈窕淑女憑著手中的管弦樂器演繹激情, 那隨音樂扭動的腰臀足以讓人著魔。音樂學院是不會教人這樣騎著大提琴演奏的。

　　轟動一時的中泰混血小提琴手陳美, 在1995 年發行的專集封面上的造型, 就好像她剛剛贏得“ 性感睡衣”大賽一樣。從那以后各家唱片公司一直在暗中尋覓技藝高超, 能把小提琴拉得性感而又令人興奮的女音樂家。英國的笛卡唱片公司在辣妹組合身上找到了公司自己的“ 性感交響樂”基調。辣妹組合2000 年發行的首張專集《誕生》, 曾打上世界古典音樂流行榜榜首, 銷量已達100 多萬張。

　　這類音樂流行的部分原因在于, 古典音樂沒有語言障礙。陳美和她的追隨者打破了古典音樂的沉悶, 青少年可以認同。辣妹之類的演奏組合, 將古典音樂演奏得像通俗的流行歌曲, 不會嚇跑年長的, 還可以吸引小孩。古典音樂變得平易近人。

　　還有酷辣的服裝。辣妹成員否認她們的成名與她們緊身的夜總會裝扮和火辣的臺風有關。“ 我們的成功不是基于我們的服裝, ” 第一小提琴手海莉說: “ 我們將音樂玩得極好, 超越了我們的外形。” 的確, 我們該為這些天才說句公道話: 辣妹的音樂不是炒冷飯的巴赫。她們在亞洲巡回演出的曲目只有一首是古典音樂: 柴可夫斯基的《1812 序曲》。